建筑情态系统“情态平衡”方法论及其应用——当代建筑“高情感平

II2060-IIIAbstractSincethe60'sof20centuries,twogreatchangeshavehappenedinthedevelopmentofmodernsciencetechnique:firstly,machine-industrytechniquecouldn’tapplyforinwide-range.secondly,informationtechnologyinpost-industrysocietyisadvancingbyleapsandbounds.Peoplebeganturntothinkthedamageinthenaturalbalancebroughtbytheindustrytechnologywhentheappearanceshadtakenplacesuchastheenergycrisis,ecosystem-breaking,pollutionoftheenvironment,greenhouseeffect,etc.Obviously,theglobalismturntoreplacetheregionallycultureandthelackofhightouchinhightechthatmakepeopleperplexedandunconformable.Thereforeinhightechniquesociety,peoplehaveacommonunderstandingthatpeoplenotonlyliveinthenaturaleco-space,butalsoliveinthe‘emo-space’,emotionalspace.peopleareinevitabletopursuethebalanceofhigh-techandhigh-touch,orthebanlanceofhumanismandrationalism.Themoretechniqueprogresses,themoreintensivethedesirabilityofthebalancewillbe.”“hi–touchbalancehi-tech”bringusaopportunitytothinkaboutthenormalregularityoftherelationshipofemotionandtechnique.Theemotionconnectedwiththehumanneed.TherearedifferentlevelsinEmotionwhichlikethedifferentranksofthehumanneeds.LogicallylowtouchmeanstheemotioninthenaturalspaceandthatHightouchmeanstheemotioninthehi-techspace,whichbetweenthemismidtouch.Socialconditioncandecidetheemotionlevelanditsdevelopment.Inaperiodoftime,fromtheagriculturesocietytotheinformationage,theemotionjustdevelopfromlow-touchtohi-touch.Therefore,thebalanceofemotionandtechniquemeansusingemotiontobalancethelackoftheemotionwhichmadebythetechnique.Asweknow,thebuildingthatalsolivingintheemotionalspaceisnotonlyconstructedbytechniquebutexpressedemotionofpeople,Sotherelationshipofemotionandtechisalsoexistingintherealmofarchitecture.Wecanusethepointof“thebalanceoftouchandtech”asamannertoanalyzethearchitecturalphenomenoninessence,andmakeittobeanimportantmethodologyofarchitecturedesigntoday.KeywordsHi-touchHi-techBanlanceofhi-techandhi-touchArchitecturephenomenonIA.Toffler1AdrianBerry2[1]·A.Toffler)),..:,1983[2]·AdrianBerry)),.:500.:,1997111.11.1.11.1.2121JohnNaisbitt1982-HighTouchbalanceHighTech2,HightechHightouch21-11-2[1],1958,21-21-1:,,3”1.21231.31.3.11CITYOFBITS1-.J.W.J.MichelCITYOFBITS2—•1·J·..19994HighTouchbalanceHighTechHiTouch31650RenDescartesEQBBorisCyrulnik42002,51.3.21CAADCyberspace:CAADCAADCyberspace210199462003.32002.72004.42002.919961-41-5201-41-5:,199971.3.3121.41.4.1-1-----81-6…..---12[1],………..………...……1-6931.4.21232---3-101.51122.112.1.1220342.1.1.11[1],—:,,,,--,[2]1937generalsystemtheory)1945,,[3][4],12234environment561312-12.1.1.22[1],,,,,),,),[2],,2-1141-2.1.22.1.2.11………..2…..3…..2.1.2.21[1]•,,,,,19979)p3315232.212162.2.12.2.1.11Ecosystem122-2[1]A•GTansley)1935,,,,1983p42-217,2-3-12.2.1.21[1],,,,1983p92-32-22-5[1],,,1992[2],,,2-41912.2.22.2.2.1206022.2.2.21[1],,,,,1983p114[2]1960,,,2002.12p1821832-6AZ202-622-73Marina2-892-82002.92-9)2-721Marina12200032-10200012.55[1]•.,,,.:.:,2003p[2]YeangK.BioclamaticSkyscrapers.London:ArtemisLimited,1994[3]•1889-1951):,3-1,1989253-23.1.23.23.2.13-2263.2.23.33.3.1273.3.1.13.3.1.213.3.1.31[1]28123.3.1.33-32070[1]3-3)3-4293.3.1.413-423-519623-63.3.2FFriedrichEngels3-61960-1962www.far2000.com3-530-…1LeCorbusier……3.3.2.123.3.2.23[1]:,1993,p183[2]AH:,,,,,,[3],,,,1989.313.3.2.21123[1],,,,[2],,,20038)p5262[3],,,:,,,,,,32JornUtzon2119203.3.2.32[1],,,,1989.[2],,)),,,ArnheimRudolf):,,),333-712,.:,1997.[1]:,),,,,20012),p251253[2],,,:,,3-73-8://www.epiegame.com/product/shanghai/changjing.htm3-10://www.kepu.com.cn3-12“”,,,2004353-113-123.3.2.4111,,,3-13,.,,20003-14……13-1516171833-193-22[1]),:1998p663-1513-1623-1733-1837l“”3-19l3-20l-“”3-21l-3-223.43.4.13-213-2231922,,,20043-19“”3-2038123.4.213-19,39overplay3-232050Ser-gioMusmcci13-24[1],.•..:,19883-242050•403-2523.4.31-3-2623-253-26413.51234244.14.1.14.1.214324-124.1.34.1.3.1123273285903273285904-14-2590444.1.3.2…11,,,454-34.24.2.14-3464.2.24.2.2.11……23474.2.2.2124-4484-54-64-4,20034-6.,2000494-74-84.2.34.2.3.1117194-74-8p238,2235023,4.2.3.215114-910112[1]modeofrepresentation),,Lunn),,,WaltBenjamin),,,,,202050),,,4-91011AZ200445232060Archigramgroup2060534.2.44.2.4.1120604-1213W.J.Mithchel1[1],,,20012),p2514-13sohu4-1254ArataIsozaki4-14216NURBS4-15SOM4-14ArataIsozaki4-1555(FrankGehry)30CIMSCICS21[1].•..:.:,198456“”1abc23CAD3DSketchupPiranesi[1][2],14,,,,,,,•Charle