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TheThreeLittlePigsChapter3FairyTaleTheThreeLittlePigs1)readandanalysis“threelittlepigs”:30minutes2)rewritethestoryof“threelittlepigs”:50minutes3)bilingualteachingprojectcasestudy:50minutes4)teachingbyusingthestory“threelittlepigs”:70minutesReadandanalysis“Threelittlepigs”:possiblenewwords:fair展览会,市集butterchurn搅乳器.barrelroundabout.旋转木马Annotations1.Threelittlepigs:Thisstoryusestheclassicnumberthreefoundinmanyfairytales.Mostvariationsofthetalealsoemploythreeanimals.Inthisversion,andmostversionsofthetale,thepigsarenotnamed.OnenotableexceptionisthetalerecordedbyAndrewLanginhisGreenFairyBook.InhisThreeLittlePigs,thepigshavenamesandabirthorder:TheeldestofthelittlepigswascalledBrowny,thesecondWhitey,andtheyoungestandbestlookingBlacky.InLang'sversion,theyoungestpigisthesmartestandmostindustrious[in'dʌstriəs]a.勤劳的,勤奋的.Thisisincontrasttomanymoderninterpretationswhichoftenportraytheoldestpigasthesmartestandmostindustrious.Thenumberand/orpatternofthreeoftenappearinfairytalestoproviderhythmandsuspensen.悬疑,焦虑,悬念.Thepatternaddsdramaandsuspensewhilemakingthestoryeasytorememberandfollow.Thethirdeventoftensignalsachangeand/orendingforthelistener/reader.Athirdtimealsodisallowscoincidencesuchastworepetitiveeventswouldsuggest.Thereasonsandtheoriesbehindthree'spopularityarenumerousanddiverse.Thenumberhasbeenconsideredpowerfulacrosshistoryindifferentculturesandreligions,butnotallofthem.consideredthreetobetheperfectnumberbecauseitrepresentedeverything:thebeginning,middle,andend.Somecultureshavedifferentpowerfulnumbers,oftenfavoringseven,fourandtwelve.ChristianshavetheTrinity,theChinesehavetheGreatTriad(man,heaven,earth),andtheBuddhistshavetheTripleJewel(Buddha,Dharma戒条,Sanga).TheGreekshadtheThreeFates.Pythagoras毕达哥拉斯的哲学思想受到俄耳浦斯的影响,具有一些神秘主义因素。他认为社会中有三类人,而灵魂属于轮回的结果。(但同时从毕达哥拉斯开始,希腊哲学开始产生了数学的传统。毕达哥拉斯曾用数学研究乐律,而由此所产生的“和谐”的概念也对以后古希腊的哲学家有重大影响。毕达哥拉斯还是在西方第一个发现勾股定理(在西方又称毕达哥拉斯定理,Pythagoras'Theorem)的人。在宇宙论方面,毕达哥拉斯结合了米利都学派以及自己有关数的理论。他认为存在着许多但有限个世界,并坚持大地是圆形的,不过则抛弃了米利都学派的地心说。毕达哥拉斯对数学的研究还产生了后来的理念论和共相论。即有了可理喻的东西与可感知的东西的区别,可理喻的东西是完美的、永恒的,而可感知的东西则是有缺陷的。这个思想被柏拉图发扬光大,并从此一直支配着哲学及神学思想。)2.Seektheirfortune:Fairytalecharacters,especiallythemalecharacters,leavehometoseektheirfortuneatthebeginningoffairytales.Inotherwords,thecharactersareleavingtheirfamiliesandhomesbehindinhopesofearningtheirownlivingsasadultsforthefirsttime.Manyfairytalesarecomingofagestories.3.Abundleofstraw:Strawisaplantfiber,usuallystalksofcertainspeciesofgrain,usedformakingbasketsandhatsorasanimalfodder(WordNet).Inthepaststrawwasalsousedtorefertonothingproverbiallyworthless;theleastpossiblething;ameretrifle.GeoffreyChaucer(ca.1343-1400)oncewrote:Isetnotastrawbythydreamings.Strawisoftenakeyingredient[in'gri:diənt]n.成分,因素inbrickmaking,thesubstancewhichstandsupagainstthewolf'sattack.4.Tobuildahouse:Shelter,alongwithfoodandclothing,isoneofthebasicneedsforsurvival.Thepigsrequireadequateshelterfromtheelementsandmoreimportantlypredators'predətə食肉动物asthestorywillshow.5.Wolf:Thewolfisacommonfairytalevillain'vilən坏人,perhapsmostfamousforthistaleandLittleRedRidingHood.Otherversionsofthetaleofferotheranimalsasthepredatorwithafoxasthesecondmostpopularchoice.WhileDisneyhasinfluencedthecontinuingpopularityofseveralfairytales,itsinfluenceonTheThreeLittlePigsisperhapsoneofthestrongest.Whilethepigswerenotthestarsofafeaturelengthfilm,theyweregiventheirowncartoonshortin1933aspartofDisney'sSillySymphonies'simfəni.Thecartoonpredates在日期上早于theearliestDisneyfull-lengthfairytalefilm,SnowWhite,byafewyears.Thecartoon,whichincludedthesongWho'sAfraidoftheBigBadWolf?,becameasuccessduringtheDepression,inspiredpeopletoovercomethewolvesintheirlives--poverty,starvation,unemployment,etc.Thewolfalsofiguresprominently显著地inotherpartsofBritishfolklore民俗学,suchasthetraditionalchildren'sgame,What'stheTime,Mr.Wolf?Who'sAfraidoftheBigBadWolf?From:ThreeLittlePigsMusic:FrankChurchillLyrics:FrankChurchillandAnnRonellWho'safraidofthebigbadwolfBigbadwolf,bigbadwolf?Who'safraidofthebigbadwolf?TralalalalaWho'safraidofthebigbadwolfBigbadwolf,bigbadwolf?Who'safraidofthebigbadwolf?Tralalalala6.Knockedatthedoor:Theknockingatthedooraddsabitofcomedy.Thewolfisessentiallyknockingtobeadmittedtoeatthepiginitsownhome.7.Littlepig,littlepig,letmecomein:Thefollowingdialoguebetweenthewolfandthepigsisrepeatedthreetimesanditisthemostpopularelementofthestory.Thelines,orsimilarversions,havebecomepartofpopularcultureinmanysocieties,referencedinadvertising,humor,andothermediums.Thelinescanbeusedtoencourageaudienceparticipation.8.No,no,bythehairofmychinnychinchin:Thefirsttwopigsmaybefoolishabouttheirbuildingmaterials,buttheyknowamortal致命的threatwhentheyseeit.Theydonotintendtobecomethewolf'snextmealvoluntarily.IntheendnotesforthistaleinEnglishFairyTales,JosephJacobswrites:Aslittlepigsdonothavehairontheirchinnychin-chins,Isuspectthattheywereoriginallykids,whohave.ThiswouldbringthetaleclosetotheGrimms''WolfandSevenLittleKids'(Jacobs1890).9.ThenI’llhuff,andI’llpuff,andI’llblowyourhousein:Themodernclassic,TheTrueStoryoftheThreeLittlePigs
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