英语电影赏析PPT(选修)

Apprieciatingcinema外语教研室章春风英文电影赏析IntroductionEnglishMovies英文电影赏析ApprieciatingcinemaPurposes1.Togainaroughideaofwhathadhappenedinthelonghistoryoffilmsandwhatishappeningnow.2.Toknowmoreaboutsomeoftherepresent-ativefilm-makers,actorsandtheirmasterpieces.3.Hopefully,trytouseeverythinglearnedinthecoursetogetabetterideaofthelanguageandtheculture.英文电影赏析1.IntroductionEnglishMovies-------EnglishMotionPicturesInordertomakeusfamiliartoBritishandAmericanintonationandpronunciation,tounderstandtheinter-culturebetweenChinaandWesterncountries,tounderstandthebackgroundandcultureinthemovies,togetsensibilityofnativespeakingtoknowthewayofmainmediaimpactonmodernsociallife,tobewareoftheschoolsofliteratureanditseffecttothemotionpictureindustry,thereareenoughreasonstoseeEnglishlanguagemovies.2.LanguagesandCulturesReflectedfromMoviesLanguageisapartofcultureandplaysaveryimportantroleinit.Somesocialscientistsconsideritthekeystoneofculture.Also,cultureconsistsofallthesharedproductsofhumansociety.Culturereferstotheentirewayoflifeofasociety.Alloftheseonlycouldbefoundinmovies.3.DifferentculturewithdifferentvaluesCulturereferstostateofintellectualdevelopmentofasocietyandthecustoms,arts,socialinstitutions,etc.ofaparticulargrouporpeople.Theessenceofcultureisthevalues.Twokindsofpeoplewithdifferentvalueswillnotdoandthinkofsomethinginthesameway.英文电影赏析英文电影赏析4.AgreatcombinationofauditiveandvisualartsAuditiveandvisualartsarethetwomainandpopularschoolsofarts.Motionpictures,thegreatcombinationofbothoftheabove,takesthefirstplacegraduallyandattractsmassbetterthaneachoftheauditiveandvisualarts.5.AgreatcombinationofliteratureanddramaItisnotnecessarytosayhowliteratureoriginsbutweallknowthatdramaisonepartofit.Fictionnovelsaremorepopularthandramasforthenewgeneration.Themotionpictureactuallytakestheplaceofthedramaartwiththehelpofthedevelopedanddevelopingtechnology.6.TheHistoryofMotionPictures–Earlycinema1.1826Thetechnologicalgroundworkformotionpictureswaslaidbytheinventionofphotography2.1889ThekeybreakthroughcamewiththeintroductionbyKodakofcelluloid.4.1895Oneofthefirstpublicexhibitionsofthenewtechnologyoccurredon28DecemberattheGrandCaféinParis.“TheCinemaofAttractions”3.1890sThomasEdisonandLumierebrothersinFranceinventedcinemaindependently.6.TheHistoryofMotionPictures–ClassicalHollywoodCinema1.1908–1926SilentMoviesTheBirthofaNation“ACinemaofNarrative”2.1926–nowSoundMoviesDonjuan影片原名TheGreatDictator影片译名大独裁者年代：1940地区：美国片长：124min导演：查里卓别林(CharlesChaplin)编剧：查里卓别林(CharlesChaplin)类型：喜剧主要演员：汉克曼切斯特康克林埃玛邓恩保利特戈达德雷金纳德加德纳查尔斯欧文比利吉尔伯特查里卓别林理查德亚历山大出品公司：其他色彩：黑白ClassicalHollywoodCinema–TheGreatDictatorTheemergenceofthe“StudioSystem”1.Thedominationoffivemajorcompanies(“BigFive”):WarnerBrothers;Loew’s-MGM;Fox;Radio-Keith-Orpheum(RKO);ParamountBigFive:WarnerBrothers华纳兄弟电影公司MGM美国米高梅电影制片公司（Metro-Goldwyn-Mayer）Fox(福斯电影公司和20世纪影片公司合并而成)Paramount派拉蒙公司RKO雷电华影业股份有限公司（Radio-Keith-Orpheum）Theemergenceofthe“StudioSystem”2.Smallercompanies(the“LittleThree”):Columbia;Universal;UnitedArtists;LittleThree:Columbia;Universal环球;UnitedArtists联美GretaGarbo葛丽泰·嘉宝IngridBergman英格丽·褒曼VivienLeigh费雯丽TheemergenceofMovieStarsClassicalHollywoodwastheerainwhichthe“Star”wasborn,and“starvehicles”–filmsbuiltspecificallyaroundanumberofmajorstars–becamethemostreliablyprofitableoftheHollywoodproduction.AudreyHepburn奥黛丽·赫本ElizabethTaylor伊丽莎白·泰勒HumphreyBogart亨莱福·鲍嘉MarlonBrando马龙·白兰度ClarkGable克拉克·盖博AlainDelon阿兰·德隆LaurenceOlivier劳伦斯·奥利弗GregoryPeck格里高利·派克Thehistoryoffilmissimplifiedbyitsshortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinemaEachoftheseperiodsischaracterizedbycertaintechnologicaldevelopmentsandpatternsofindustrialorganization.Artistically,too,filmsfromagivenperiodoffilmhistorytendtodisplaycertaincharacteristicfeatures.英文电影赏析TheIdeologyofClassicalHollywoodCinema1.Property,Enterpriseandinitiative;2.TheWorkEthic;3.Marriage,FamilyandHome;4.Progress,TechnologyandtheCity;5.SuccessandWealth;6.Americawasalandofhappiness;7.TheIdealMale;8.TheIdealFemale;6.TheHistoryofMotionPictures–ClassicalHollywoodCinema1.1908–1926SilentMoviesTheBirthofaNation“ACinemaofNarrative”2.1926–nowSoundMoviesDonjuan6.TheHistoryofMotionPictures–Post-ClassicalHollywoodCinemaIntermsofthefilmsthemselves,post-classicalHollywoodcanbeseenasthe“NewHollywood”(or“renaissance”)periodofthelate1960sand1970s.Thefilmwouldbereleasedfirstonthebigscreenforawindowofabout6months,followedbyareleaseonDVD/videoforawindowofanindefinitelength;afterthiswouldcomeareleaseonpay-per-viewTV,premiumcablefilmchannel,andthennetworkTV.7.CategorizationofGenresHowinpracticeshouldonegoaboutdeterminingthegenresofagivenfilm?Genericcategoriesaregenerallydefinedonthebasisofsubjectmatter,formalproperties,styleoraffectiveresponse.Thisreflectsthewaythatfilmmakersandaudiencesinpracticeusetheconceptofgenre–asaloose,flexible,andoverlappingsystem.HistoryI.EarlyCinemaD.W.Griffith:FatherofFilm•UnitedStatesfilmmakerwhowasthefirsttouseflashbacksandfade-outs•TheBirthofaNation一个国家的诞生（1915）•Intolerance党同伐异（1916）《一个国家的诞生》和《党同伐异》是美国电影早期的两个无法逾越的高峰，各个方面都远远超过了同期的其他电影。它们预示着格里菲斯达到