一位民间豫剧创新者的音乐人类学研究

南京航空航天大学硕士学位论文他如何重塑传统？——对一位民间豫剧创新者的音乐人类学研究姓名：王晓晶申请学位级别：硕士专业：音乐学指导教师：薛艺兵20081201I——IIAbstractThisarticletakesWangXiaoshengasastudyobject,aYujufolkartistinthecountrysideofPeiDistrictinXuzhou,fromtheperspectiveofmusicalanthropologicalresearch.Inthispaper,threepartsareheretodescribeWangXiaosheng’sperforminglife.First,listentotheoperas,learningstage;second,arttroupeperformanceperiod;third,theclubperformanceperiod;fourth,formerOperasperiod;fifth,promotionteamoffamilyplanningPeriod;sixth,trumpetgroupperformingtime,objectivelydeclareshislearningandactinglife.TheoperaperfomedbyWangXiaoshengisShanxiandShaanxifolkoperawhichisspreadfromHenantoXuzhou.ItabsorptedsipinglowlevelandLiuqindramaandsoon.Afterreformingandinnovation,ithasformedasauniquecountrydramaticmusic.ThechangeoftimeshasinfluencedtheperformanceofWangXiaosheng.ThisarticlewillhaveaDiachronyfromtheheydayanddeclineinandaftertheCulturalRevolution,andpresent.Peopleandmusicischangingwithtime.ThefolkartistslikeWangXiaosheng,audience,musicandtheirrelationshiparechanging.Thisarticlewilldecrilbetherelationchangingofmusician,musicandaudienceindifferentperiodbycontrastingtheperformanceofWangXiaosheng.Inordertoadapttothechangeofthisrelationandtheinterestofpresentaudience,theartistmakeainnovationoftraditionaloperaandhaveformedacountryYujuwithmanyspecialappealsuchasthemesfromthecountryside,becomingdramaticskit,actinginanextemporaneousmanner.Theresearchtoaindividalfolkoperaartistisanewtopicintheoperafield.Itishopedthatthisrearchcangivesomereferencetothedevelopandinnovationofthetraditionalopera.Keywords:Yuju,folkartist,audience,musician,thechangeoftimeV2.1.........................................................................142.2.............................................................................142.3.............................................................142.4..................................................................................15.....................................................................................18.....................................................................................19..............................................20...................................................................................................22...................................................................................................22......................................................................................................23......................................................................................................24............................................................................................25..............................................................................25.........................................................................263.11.......................................................................................293.12...........................................................................................293.131...................................................................................................303.142...................................................................................................303.15“5”...........................................................................303.16“6”...........................................................................303.17“1”...........................................................................303.18....................................................................................314.1.........................................................................................354.2.................................354.3................................................................364.4()...............................................................364.5()........................................394.6..............................................................................434.7..............................................................................444.8()............................................................4512007ethnomusicology——231985322422005634200650——4,[1],,,,[2]805——619601943418“”71951()1()1——89——1011——122332133——14211983221984221523——1617——1819——2032221——2223——2419604[6]52[6]25533637——264465565273333331——283332333329——3031——32:“”[8]4141119661976,33.412“”“”19661226“”“”“”“”1967596151967531“”196822“”“”——34[9]“”“”“”“”413——(thestudyofmusicinthecultureMerriam1964(thestudyofmusicascultureMerriam1973)(‘musiciscultureandwhatmusiciansdoissociety’Merriam1975,1977)355cognitionmusicsoundbehaviorcognitionmusicsoundbehavioraffectingfeedback[10]cognitionmusicsoundbehavior5()??TimothyRiceTowardtheRemodelingofEthnomusicology1987ETHNOMUSICOLOGYHISTORICALCONSTRUCTIONSOCIALMAINTENANCE——36INDIVIDUALCREATIONANDEXPERIENCEaffectingfeedbackHISTORICALCONSTRUCTIONINDIVIDUALCREATIONANDEXPERIENCESOCIALMAINTENANCE37()()424218080——384228039“”“!42380“”“”()——404343190909041500100068——42432“()4312345678910433——44,,[11