介绍宫崎骏英语演讲

ClassreportMiyazakiHayaoOneofthecountry’smostpopularanimators,HayaoMiyazaki,hasproducedsomeofthegreatclassicsofJapaneseTVanimation.Nevertheless,hefindstelevisiontoorestrictive,andpreferstomakefull-lengthanimatedmovies.宫崎骏是日本最受欢迎的漫画家之一，他曾制作了多部日本电视动画的经典巨作。然而，他发现电视创作太受限制，因而更喜欢创作正片长度的动画电影。HayaoMiyazakiwasborninTokyoin1941.Hisfamilyownedafactorythatbuiltairplanes,andhefellinlovewithplanesandflyingatanearlyage.Anyonefamiliarwithhisfilmshasseentheoftenbreathtakingflyingscenesthatarehispersonaltrademark.1941年宫崎骏出生于日本东京。他的家族拥有一座制造飞机的工厂，他早年也曾醉心于飞机及飞行。熟悉宫崎骏电影的人，都很熟悉他影片中经常出现的常令人叹为观止的飞行场景，那正是宫崎骏动画的一大特色。Inthefilmwecansee,HayaoMiyazaki'sthinkingisdividedintotwolevels:Atthefirstlevel,Miyazakithinksthattherelationshipbetweencivilizationandnature,justassameastherelationshipbetweentreesandsoil.Ifthesoilisnotrootedintheearth,eventalltreescannotsurvive.我们可以看出，在本片中，宫崎骏的思考是分为两个层次的：在第一个层次中，宫崎骏认为文明与自然的关系，就如同树木与泥土的关系一样。如果不植根于大地的泥土，即使是参天大树也无法存活。Inthesecondlevel,Miyazakithinkthatthevitalityofcivilizationwillbegivenbynaturally,thenthevitalitywillbedestroyedbygreeduntilthecompletedestructionofcivilization.在第二个层次中，宫崎骏认为如果说自然会赐予文明以生命力的话，那么贪欲则会夺取文明的生命力直至彻底毁灭文明。ValleyoftheWind,1984film《风之谷》CastleintheSky,1986film《天空之城》MyNeighborTotoro,1988film《龙猫》Kiki'sDeliveryService,1989film《魔女宅急电》PrincessMononoke,1997film《幽灵公主》SpiritedAway,2001film《千与千寻》(winner,AcademyAwardforBestAnimatedFeature,2002)Howl'sMovingCastle,2004film《霍尔的移动城堡》(nominee,AcademyAwardforBestAnimatedFeature,2005)Ponyo,2008film《悬崖岸上的金鱼姬》Miyazaki’sStylesMiyazaki'sworksarecharacterisedbytherecurrenceofprogressivethemes,suchasenvironmentalism,pacifism,feminism,andtheabsenceofvillains（反派角色）.Hisfilmsarealsofrequentlyconcernedwithchildhoodtransitionandamarkedpreoccupationwithflight.EventhoughMiyazakisometimesfeelspessimisticabouttheworld,hepreferstoshowchildrenapositiveworldviewinstead,andrejectssimplisticstereotypesofgoodandevil.Environmentalism（环保主义）Miyazaki'sfilmsoftenemphasizeenvironmentalism.InaninterviewwithTheNewYorker,Miyazakiclaimedthatmuchofmoderncultureis“thinandshallow（肤浅）andfake,“nature—themountainsandrivers—wasbeingdestroyedinthenameofeconomicprogress.“Miyazakiiscriticalofcapitalism,globalizationandtheirimpactsonmodernlife.Commentingonthe1954AnimalFarmanimatedfilm,hehassaidthat“exploitationisnotonlyfoundincommunism（共产主义）,capitalismisasystemjustlikethat.Ibelieveacompanyiscommonpropertyofthepeoplethatworkthere.Butthatisasocialisticidea.“Nonetheless,hesuggeststhatadultsshouldnotimposetheirvisionoftheworldonchildren.Pacifism（反战主义）PrincessMononokeandHowl'sMovingCastlefeatureanti-warthemes.In2003,whenSpiritedAwaywontheAcademyAward（奥斯卡金像奖）forBestAnimatedFeature,Miyazakididnotattendtheawardsshowpersonally.Helaterexplainedthatitwasbecausehedidn’twanttovisitacountrythatwasbombingIraq.Feminism（女性主义）MiyazakihasbeencalledafeministbyStudioGhibliPresidentToshioSuzuki,inreferencetohisattitudetofemaleworkers.Thisisevidentintheall-femalefactoriesofPorcoRosso（红猪）andPrincessMononoke（幽灵公主）,aswellasthematriarchal（女族长制的）bath-houseofSpiritedAway.ManyofMiyazaki‘sfilmsarepopulatedbystrongfemaleprotagonists（主人公）thatgoagainstgenderrolescommoninJapaneseanimationandfiction.IncontrasttoAmericananimation,thescriptandstoryboardsarecreatedtogether,andanimationbeginsbeforethestoryisfinishedandwhilestoryboardsaredeveloping.Especialcreationprocess：1：exertimagination尽情的想象Miyazakitakesaleadingrolewhencreatinghisfilms,frequentlyservingasbothwriteranddirector.Hepersonallyreviewedeveryframeusedinhisearlyfilms,thoughduetohealthconcernsoverthehighworkloadhenowdelegatessomeoftheworkloadtootherGhiblimembers.Ina1999interview,Miyazakisaid,atthisage,IcannotdotheworkIusedto.IfmystaffcanrelievemeandIcanconcentrateondirecting,therearestillanumberofmoviesI'dliketomake.2：Commitment全身心的投入Miyazakiusesveryhuman-likemovementsinhisanimation.Inaddition,muchoftheartisdoneusingwatercolors.个人的画风Miyazakihasusedtraditionalanimationthroughouttheanimationprocess,thoughcomputer-generatedimagerywasemployedstartingwithPrincessMononoketogivealittleboostofelegance.However,inhis2008filmPonyo,Miyazakiwentbacktotraditionalhand-drawnanimationforeverything,sayinghanddrawingonpaperisthefundamentalofanimation.StudioGhibli'scomputeranimationdepartmentwasdissolvedbeforeproductiononPonyowasstarted,andMiyazakihasdecidedtokeeptohanddrawnanimation.3：insistencetradition对传统的坚持LupinIIICastleofCagliostro卡里奥斯特罗之城（1979）.NausicaaoftheValleyoftheWinds风之谷(1984)Laputa:CastleintheSky天空之城（1985）Oneday,thegirlfellfromtheskyThisstrangecreature(生物),perhapsstilllivinginJapanMyNeighborTotoro龙猫（1988）Iwasreallydownforawhile,butI'moknowKiki‘sDeliveryService魔女宅急便（1989）PorcoRosso红猪（1992）PrincessMononoke幽灵公主（1997）LivetobestrongHowl'sMovingCastle哈尔的移动城堡（2004）PonyoontheCliff悬崖上的金鱼姬(2010)Wehavenochoicebutprevailintheworldfromthestartofthisflu.——《OnYourMark》我们别无选择，只能存这个流感盛行的世界出发。Eveninthehatredandkilling,therearestillsomethingsworthyofpeopleinthelive.Abeautifulencounter,ortotheexistenceofbeautifulthings.Wedepicthatred,aremoreimportantthingstodescribe.Wedepictacurse,istodescribethejoyofl