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PLAYTHEGUITAR10级电信一班刘雨帆GuitarhistoryHerefollowsabriefTimeline•1265JuanGilofZamoramentionstheearlyguitarinArsMusica.•1283-1350GuitarraLatina&GuitarMorescaarementionedmultipletimesinthepoemsoftheArchpriestofHita•1306AgitarerwasplayedattheFeastofWestminsterinEngland•1404DermynnenregeinbyEberhardVonCersnemakesreferencetoaquinterne.•1487JohannesTinctorisdescribedtheguitarraasbeinginventedbytheCatalans.Thisreferstothefourcourseguitar.Eachcourserepresentsonepairofdoublestrings.•1546TresLibrosdeMusicaenCifrasparaVihuelabyAlonsoMudarraisthefirstpublicationtoincludemusicforguitar.•1551-1555NinebooksoftablaturewerepublishedbyAdrianLeRoy.Theseincludethefirstpiecesfor5courseguitar.TheadditionofthefifthcoursewasattributedtoVicenteEspinel•1600-1650Manypublicationsoftablaturefortheguitar.It'spopularitybeginstorivalthelute.•1674PublicationofGuitarreRoyalbyF.Corbettaincreasedtheguitar'spopularity.ItwasdedicatedtoLouisXIV.•1770-1800Asixthstringwasaddedtotheguitarandthecourseswerereplacedbysinglestrings.•1800-1850Guitarenjoyedalargepopularitybothinperformancesandpublishing.FernandoSor,MauroGuiliani,MatteoCarcassiandDionisoAguadoallperformed,taught,wroteandhadpublishedtheircompositions.•1850-1892GuitarmakerAntoniodeTorresdevelopsthelargermoreresonantinstrumentweknowtoday.•1916SegoviaperformsatAteneo,themostimportantconcerthallinMadrid.Beforethisitwasthoughtthattheguitardidnothavethevolumeforthistypeofvenue.•1946NylonreplacesgutasastringmaterialAboutguitarFolkGuitar•Folkguitarisfunandeasytoplay.Itmostlyconsistsofsimplechordswithsomebassruns.MostofthetimeIhitabassnoteonthedownbeatandstrumontheupbeat.WhenIplaythisboom-chuckbymyselfthereisn'tmuchofamelody;butwhenIplaywithafiddle,thereissomegoodmusicbeingmade.Electricguitar•Anelectricguitarisaguitarthatusestheprincipleofdirectelectromagneticinductionorpiezoelectricitytoconvertvibrationsofitsmetalstringsintoelectricaudiosignals.•Inventedin1931,theelectricguitarbecameanecessityasjazzmusicianssoughttoamplifytheirsound.Sincethen,theelectricguitarhasbecomethemostimportantinstrumentinpopularmusic.Ithasevolvedintoastringedmusicalinstrumentthatiscapableofamultitudeofsoundsandstyles.Itservedasamajorcomponentinthedevelopmentofrockandrollandcountlessothergenresofmusic.Classicalguitar•Theclassicalguitar(alsocalledclassicguitar,Spanishguitar,nylon-stringguitarorconcertguitar)isa6-stringedpluckedstringinstrumentfromthefamilyofinstrumentscalledchordophones.Theclassicalguitariswellknownforitscomprehensiverighthandtechnique,whichallowsthesoloisttoperformcomplexmelodicandpolyphonicmaterial,inmuchthesamemannerasthepiano.Flamencoguitar•ThetraditionalflamencoguitarismadeofSpanishcypress,sycamore,orrosewoodforthebackandsides,andspruceforthetop.This(inthecaseofcypressandsycamore)accountsforitscharacteristicbodycolor.Flamencoguitarsarebuiltlighterinweightthanclassicalguitars,whichproducesa“brighter”andmorepercussivesoundquality.Hawaiianguitar•Thisguitar'sstringsareraisedatboththenutandbridgeendsofthefingerboard,typicallytoabouthalfaninch.Thestringsaretoohightocontactthesurfaceoftheneck,sofrets,ifpresent,areonlyforreferenceandareoftenreplacedbymarkers.Somelapsteelguitarscanbeconvertedbetweenlapandfrettedplaying,oraremodifiedversionsofconventionalguitars—theonlydifferenceisusuallystringheight.Round-neckedresonatorguitarssetupforsteelplayingfallintothiscategory.Myfavoriteguitarplayer•Bytheageof6,in1961,hewasaworkingprofessionalmusician.Afterhisfatherdiedin1966,thefamilysettledinParkes.TommyeventuallymovedtoSydneywherehecametobenoticednationallywhenhewonastringoftalentcontestsinhisteenyears.•In1994AustralianmusicveteranJohnFarnhaminvitedhimtoplayguitarnexttoStuartFraserfromNoiseworksfortheConcertForRwanda.EmmanuelbecameamemberofFarnham'sband.•InlateJanuary2010,havingbeendeeplytouchedbythetragic2010Haitiearthquakeearlierinthesamemonth,Emmanuelannounced[7]thathewouldbeauctioningoffthreeguitars,thathepersonallyplayedandowned,oneBay,inordertoraisemoneytodonatetoUNICEFinHaiti.EmmanuelwasborninAustraliain1955.Hereceivedhisfirstguitarin1959atagefour,beingtaughtbyhismothertoaccompanyherplayinglapsteelguitar.Attheageof7heheardChetAtkinsontheradio.KotaroOshio•KotaroOshiowasborninOsaka,JapanonFebruary1st,1968.Whiletherearemanysologuitarplayerswhoplaynylon-stringguitar,Oshiotookthechallengeofmasteringasteel-stringacousticguitarinahighlyuniquestyle.ItwasOshio’sstrongdesiretobringoutthemaximumcapacityofanacousticguitarthatimpelledhimtoboldlyemployvarioustechniquessuchasopentuningandtapping.Oshioartfullyinfusesthoseinventivetechniquesintotheemotionalcoreofeachofthesongson“STARTINGPOINT”-ratherthanoverpowering,Oshio'sastonishingtechniqueenhanceshislyricalinterpretations.Fromthewhimsicaltothebittersweet,Oshiobringsscienceandpoetryintoperfectharmony.KotaroOshiowasborninOsaka,JapanonFebruary1st,1968.Whiletherearemanysologuitarplayerswhoplaynylon-stringguitar,Oshiotookthechallengeofmasteringasteel-stringacousticguitarinahighlyuniquestyle.SunghaJung•SeonghaJeong(정성하)(colloquially:SunghaJung)(born2September1996)isaSouthKoreanprofes
本文标题:吉他主题的英语PPT (PPT of guitar)
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