从《道连格雷的画像》探讨王尔德的唯美主义思想论文 定稿

毕业设计（论文）（2012届）题目DiscussionofOscarWilde’sThoughtsoftheAestheticismFromThePictureofDorianGray学号780802010姓名谢怡艳所属系外国语学院专业英语教育班级08级外本班指导教师张申艳老师新余学院教务处制CONTENTS摘要............................................................................................................................IAbstract........................................................................................................................IIPart1MemorizeOscarWildeandHisAestheticism................................................1Part2AnalyseLiteratureViewEmbodiedinThepictureofDorianGray.........1Part3AnalyseAestheticismfromFourMainCharacters.......................................6Part4Conclusion.......................................................................................................11References...................................................................................................................14I从《道连格雷的画像》探讨王尔德的唯美主义思想摘要本文主要从纪念王尔德，《道连格雷的画像》中所体现的文艺观，文本中主要角色分析唯美主义思想以及唯美主义思想所产生的深远意义进行写作。王尔德的价值不仅在唯美主义的历史上得到了见证，同时，他更撼动了英国，撼动了欧洲最为顽固的礼法，让历史在前进的一页上留下了这个非凡的名字。文艺观即“生活模仿艺术，远甚于艺术模仿生活”。通过对三个主要男性人物和一个女性人物的分析，我们看到了王尔德的唯美主义的轮廓和内涵，他认为艺术不会模仿生活，而且能战胜生活的丑陋；艺术是非道德的，超越道德；艺术和时代相对抗，表现在艺术不表现时代，只表现自身，并且艺术与时代精神是相反的；最后，艺术以追求“形式”为目标。唯美主义虽然昙花一现，未能赶上现代派的洪流，但是在连接传统和现代的纽带上发挥着不可忽视的作用。关键词：王尔德；唯美主义；道连格雷的画像IIDiscussionofOscarWilde'sThoughtsoftheAestheticismFromThePictureofDorianGrayAbstractThisessayismainlywrittenforfouraspects.TheyarememorizingOscarWilde,theliteratureviewembodiedin“ThepictureofDorianGray”,analysingtheaestheticismandthemeaningofaestheticism.OscarWilde'svaluewhichisnotonlyinthehistoryofaestheticismhasbeenwitnessed,atthesametime,herecountstheEnglishandshakesthemoststubbornofEuropeanetiquette,sothatitleavesthisextraordinarynameinthehistoricalpage.Theliteratureviewisthat“thelifeimitatestheart,farbetterthantheartimitatesthelife.”Throughtheanalysisofthethreemainmalecharactersandafemalefigure,wecanseetheoutlineofOscarWilde'saestheticandcontent,hebelievesthattheartdoesnotimitatethelife,butovercomesthelife'sugliness:theartisnon-moralbutbeyondtheethics;theartconfrontsthetimes,anditshowsthattheartdoesnotshowthetimes,onlyperformitself.Besides,theartandthespiritofthetimesaretheopposition;Finally,theartisinthepursuitofformasthegoal.Althoughtheaestheticismisshort-livedandfailedtocatchthefloodofmodernist,intheconnectinglinkbetweenthetraditionandmodernitplaysasignificantrole.Keywords：Aestheticism;OscarWilde;ThePictureofDorianGrayDiscussionofOscarWilde'sThoughtsoftheAestheticismFromThePictureofDorianGray1Themissionofartistoprovidemankindwithasenseofjoyontheconcept,ratherthanpasssomekindofmoraloremotionalinformation.Theartshouldnothaveanyfactorsofpreaching,butthepursuitofpurebeauty.Theaesthetestakethepursuitofart'sbeautyasthegreatjoy,andbelievethatbeautyistheessenceofartandadvocatethelifeshouldimitateart.OscarWildeisonerepresentative.Part1MemorizeOscarWildeandHisAestheticismNovember30th,2000isthecentenaryofWilde'sdeath,ahundredyearsago,whenOscarWildediedaloneinahotelinParis,hecertainlywouldnothavethoughtthatonedayitwillbenotonlybeenmoretolerantbyAmericansrememberinghim(TimescompareshimwithDickens),buttheBritishwhotreathimsoseriouslyandruthlesslyalsoburythehatchetinhisyearsbeforeandafterthememorialcelebrationwithavarietyofhigh-profiletocomfortthesoulsinverse.HisnameiscontroversialinthehistoryofEnglishliterature,“ThePictureofDorianGrayisknownastheimmoralmonsterinalongtime.Buttoday,thepluralisticsocialvaluesystemgivesaunusualevaluationtoOscarWilde,itletsusstandinthefairandobjectiveaestheticpositiontorereadhisThePictureofDorianGray.Inshort,OscarWilde'svaluewhichisnotonlyinthehistoryofaestheticismhasbeenwitnessed,atthesametime,herecountstheEnglishandshakesthemoststubbornofEuropeanetiquette,sothatitleavesthisextraordinarynameinthehistoricalpage.Part2AnalyseLiteratureViewEmbodiedinThepictureofDorianGrayTheprefaceof“ThePictureofDorianGraycontainsOscarWilde'sargumentsofthefundamentalviewonbeauty.Hebelievesthat”inadditiontoitself,theartdoesnotshowanything.Withthesameasthought,ithastheindependentlife,andpurelyDiscussionofOscarWilde'sThoughtsoftheAestheticismFromThePictureofDorianGray2developsaccordingtotheirownlines.Lifeandnaturehavenotperfection,theymustbeprocessedthroughtheart.Thebadartiscausedbylifeandnature,anditistheresultofincreasinglifeandnaturetoideal.Sometimeslifeandnaturecanbeusedasonematerialpartofart,butbeforetheyhavenotherealuseofart,theymustbeconvertedtoaconventionalart.Oncetheartgivesupitsimaginarymedia,itwillgiveupeverything.Asakindofmethod,therealismisacompletefailure.Eachartistshouldavoidthesetwothingswhicharemodernityoftheformsandmodernityofthetheme…Liferunsfasterthantherealism,butromanticismisalwaysaheadinlife.[7]Throughtheanalysisofhiswork,[8]Iselectfourmainideaaboutwhatisbeauty.First,itisputthesensibilityasbeauty.Becausetheartisamirrorofreflectingthemirror,ratherthanlife.Itemphasizestheautonomyoftheart.Secondly,itisputtheinterestasbeauty.Inthepreambleof“ThePictureofDorianGray”,itexpressesinthebeautifulworks,someonewhocanfindthemeaningoftheb