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2009320092ForeignLiteratureMar.2009No.2,2009:,,,,,,,,,,,,::I516:A:100225529(2009)0220046209(HermannHesse,18771962)(DasGlasperlenspiel)1934,1943,,,,,,,,1946,,,,,20,,,,,,,,20,,(HesseBoom),,20,,64,,,,,,,,,,,,,,,,,,,(MagisterMusicae)(AeltererBruder)(MagisterLudi),,,,,,,,,,,,,,,(Tito),:,;,,,,,,,,,,:,,,,,,,;,,,,,,,(doppelg¾ngerei)(chiasmus):,,,,,,,,,74:,,,,,,,,,,:,,,,,,,,,,,,,,,,,,,,,:,,:(Diest),,,(ProvinceofOrder),,,,:,,,,,,;,,,,,,,,,,,,,,,,,,,,,,,::,,,,:,84200922007,,,,,?:,,,,,,,,(Maya),,,,,,,,,,,,(restitu2tioinintegrum)(Benjamin:31213),,,,,,,,,,,,,,,:,,,,,(Ziolkowski:262),(Di2enst),,,,,,,,:,,,,,,,,,,,,,,,(:79;114)(Leichtes2tesSpielmitdemernstestenStoff),,,,(JohanHuizinga,18721945):(HomoLudens.VomUrsprungderKulturinSpiel),,,,,,94,(),:(:5),,,,,,,,,,;,,,,1718,,(Weltsymphonie),,,(sympathyofphilosophy),,,,,(No2valis:60),,,,,(Schle2gel:32021),,,,,,,,(grinsendeGe2genwart),,(FeuilletonistischeZeitalter),,,20,,,;,,,,,,,,,,,,,,,,,,,0520092,,,1917(Ascona),,:,,:,,,,,,,,,,,,,,,,,:,,,(:174),,,,:,,,,,,(Field:67388),,,,,,,,,,,,,,,,,,,,,,:,,,,,,,,,,,:!,,,1955,(RudolfPannwitz),,(Field:67388),,,,,,,,,,,,,,:,,,,,,,,,,,,:,15,,,,,,,(:66),,,,,:,,(),,,,,,,,,,,,,,2400,,(Kastalie),,,,?,?:,,1943,:,(Faesi:32)(Humm:13234),,,1955,,:,,,,,,(Michels:296),:,:,(Michels:232),,,,,:,,;,,;,(Ziolkowski:302f),,,,,:,,,,,2520092,,,,,,,,,,,,,,,,,:(),;(),;,;,!,,,,,,,,:??,,!,:,,,,,,,,,,,,,,,,,,,,,,,,,(Novalis:147),,,,,,,,,,:,,35,,,,,,,,(:200202),,,(:313219),,:,,(:210),20,,(Derrida:154),,,,:(apokayastasistonpanton)(:400):,:1.Benjamin,Walter.Reflection:EssaysAphorism,AutobiographicalWritings.Ed.PeterDemetz.Trans.EdwardJephcott.NewYork:HarcoutBraceJovanovich,1978.2.Derrida,Jacques.ForceofLaw:TheMysticFoun2dationofAuthority.DeconstructionandthePossi2bilityofJustice.Ed.DrucillaCornell,etal.Lon2don:Routledge,1992.3.Faesi,Robert.HermannHessepsGlasperlenspiel.NeueSchweizerRundschau.No.7(1943).4.Field,G.W.HermannHesse.NewYork:Twayne,1970.5.Hesse,Hermann.DasGlasperlenspiel:VersucheinerLenbensbeschreibungdesMagisterLudiJosefKnechtsamtKnechtshinterlassenenSchriften.2vols.Zrich,1943.6.Humm,RobertJacob.HermannHessepsGlasperlen2spiel.DieWeltwoche.10December,1943.7.Luthi,J.Hans.HermannHesse:NaturundGeist.Stuttgart,1970.8.Michels,Volker,ed.MaterialienzuHermannHessesDasGalsperlenspiel.Suhrkamptaschenbuch80and108,Frankfurta.M.,19731974.9.Novalis.PhilosophicalWritings.Trans.anded.MargaretMahonyStoljar.Albany:StateUofNewYorkP,1997.10.Schlegel,Friedrich.AthenumFragments.TheoryasPractice:ACriticalAnthologyofEarlyGermanRo2manticWritings.Ed.JochenSchulte2Sasse.Minne2apolis,London:UofMinnesotaP,1997.11.White,I.A.,andJ.J.White.JosephKnecht’sLebenl¾ufewithinHermannHesse’sDasGlasperlen2spiel.TheModernLanguageReview.Vol.81.No.4(Oct.1986).12.Ziolkowski,Theodore.TheNovelsofHermannHes2se:AStudyinThemeandStructure.Princeton:PrincetonUP,1965.13.::,:,199417.::,:,200718.:,:,200719.:,:,200720.::,:,200221.:,:,200022.:,:,200223.::,:,199624.::,198725.:,:,198526.::,1983:,1000244520092,,:,12,(:177),FOREIGNLITERATUREBI2MONTHLY,NO.2,2009Editor:HUWenzhongAssociateEditors:JIANGHong,MAHailiangSelectedAbstractsHUANGXiyunTheArtofNarrationinLeClziopsTrÓsor3SincehebegantofrequentAmerindianCivilisationin1966,LeClÓziohasregardedtheotherworldasthemostimportantmotifinhiswritings.ThestorytoldinTrsormarksthevariationofsuchamotif.HeusesPetraCanyon,theworldpsculturalheritage,asthesymboloftheotherworldtosetagainsttodaypsreality.Thisisthemostvaluablepartinsuchavariation,and,undoubtedly,itshowsLeClziopsuniquenarrativestyle.ZHOUMinTheAmericanUnderWorldDuringtheColdWarEra:ACulturalReadingofDelillopsUnder2world18AsoneofthemostprominentwritersincontemporaryAmericanliterature,DonDelilloinhisworkshascoveredalmostalltheimportantAmericansocialissuessincetheSecondWorldWarandexhibitedinthemakaleidoscopicsocietyofmagicanddread.FocusingonUnderworld,thisessayselectivelystudiestheillusivenessofanAmericanidentity,whichisthepremiseofthelogicofUsversusThembetweenAmer2icaandtheSovietUnionduringtheColdWarera;italsoexposestheprofoundrelationshipbetweengarbagethatrapidlyincreasesandtheconsumersociety.Thecomplexityanduncertaintyofthesequestionsleavemuchforfurtherstudyinthisarea.WANGJiaxinOnGeorgeOpConnellpsPoetry33GeorgeOpConnellisapoetwhosecreationisinspiredbytruthfulexperience.Butitisnotallthateasytotransformexperienceintoart.Apoetpsartistryismanifestedinturningexperienceandmemoryintopoet2ry,orconveyingexperiencebylanguage.GeorgeOpConnelldoesnothavethemetaphysicalanxietyoftenfoundinwesternpoets,nordoesheplaywithlinguisticforms.Heplacesemphasisonimmediatepercep2tion.Hispoetrythereforeevokesourempathybyleadingustoexperiencetheartofpoetryandthemagicoflanguagedirectly.LIDepenOnPostmodernFeaturesofDonQuixote41DonQuixoteisanidealist,whoseidealsocietyformsasharpcontrasttotherealityaroundhim.Butitisthiscontrastthatrevealshisadamantheroism.Limitedbyhistime,theauthorexemplifiessomemisun2derstandingsofcertainhistoricaleventsandobjects,whichflawsthisgreatwork.Manyofitscreativetech2niques,however,havebeenadoptedbypostmodernists.Inthissense,theworkha