后窗

RearWindow《后窗》DirectedbyAlfredHitchcockOUTLINEAbouttheDirector;ABriefIntroductionaboutThisMovie;TheHero;AbouttheMainPerformers;TheCinecism;TheImpactoftheMovie;AbouttheDirectorSirAlfredJosephHitchcockwasanEnglishfilmmakerandproducer.Hepioneeredmanytechniquesinthesuspenseandpsychologicalthrillergenres.AfterasuccessfulcareerinhisnativeUnitedKingdominbothsilentfilmsandearlytalkies,HitchcockmovedtoHollywood.In1956hebecameanAmericancitizenwhileremainingaBritishsubject.AlfredJosephHitchcockDirectorialStyleOveracareerspanningmorethanhalfacentury,Hitchcockfashionedforhimselfadistinctiveandrecognizabledirectorialstyle.Hepioneeredtheuseofacamerawhichmovesinawaymeanttomimicaperson'sgaze,forcingviewerstoengageinaformofvoyeurism窥淫癖.violence,murder,andcrimefugitives逃亡者anxiety,fear,orempathy,andusedinnovativefilmediting.decoys引诱，圈套orMacGuffins麦高芬“icyblonde”金发女郎cameoappearances跑龙套ABriefIntroductionaboutThisMovieProfessionalphotographerL.B.JeffJeffriesbreakshislegwhilegettinganactionshotatanautorace.ConfinedtohisNewYorkapartment,hespendshistimelookingoutoftherearwindowobservingtheneighbors.Hebeginstosuspectthatamanacrossthecourtyardmayhavemurderedhiswife.Jeffenliststhehelpofhishighsocietyfashion-consultantgirlfriendLisaFreemontandhisvisitingnurseStellatoinvestigate.FromtheplotandthestructureofRearWindow,whichconsistofthreestories.Thefirst,alovestorybetweenaphotographerJefferyandhergirlfriend.Hispretty,gentleandrichgirlfriendwanttogetmarried,whilethepoorlazymanwholikeadventurous,wanttokeepstatusquo.Boththetwomanhavetheirreconcilableconflict,buttheyloveeachothersodeeply.Thesecond,Jeffery’sneighbors,whosestorieslookseparatelyisagoodmovie.Frustratedbuttalentedcomposers,beautifulfemaledancerwhoisvanity,andlonelyladywhoislongingforlovebutdon’tlove.Thesecondphaseofthemovieisdevotedtothemurderousact.Itispresentedinsuchawaythat,atleastinitially,we'renotsurewhetheracrimehasbeencommittedorwhetherJefferiesisoverreactingtoaseriesofcircumstancesandcoincidences.Forthemostpart,weseeonlywhatJefferiessees,but,inonecriticalscenethatmuddiestheissueofwhetherornottherewasamurder,HitchcockthrowsinaredherringbyallowingustoobserveanincidentthatoccurswhileJefferiesisasleep.ItisduringthethirdpartofRearWindow,whenJefferiesandLisateamuptoinvestigatethemurder,thatHitchcockratchetsupthetension.VirtuallytheentirefilmisshownthroughJefferies'window,includingthesequencewhenLisaslipsintothekiller'sapartment.Wevieweventsfromafar,and,likeJefferies,feeltheweightofparalyzingpowerlessnesswhenThorwaldreturnsunexpectedly.Trappedinhisroom,there'snowayJefferiescanwarnLisaoracttorescueher.Allhe(andwe)candoiswatch.Theideaofacasualvoyeurseeingamurderisneithernewnorunique,butthemannerinwhichHichcockpresentsitissingular.Thesetupismasterful,aswearegivenpeeksintotheroomsofmanyofJefferies'unknowingneighbors:MissTorso,Mrs.Lonleyhearts,Thorwaldandhiswife,acouplewhobeatstheheatbysleepingonafireescape,asongwriter,thenewlyweds,andalocalbusybody.Weviewtheminavarietyofmundaneactivities:quarreling,gardening,exercising,talking,laughing,andcrying.Theyareallminorthreadsinamuchlargertapestry(andmanyofthemneverinteractwithJefferiesinanyway,exceptasanobjectforhimtowatch),butwebecomecuriouslyengagedbytheirpersonalstories.RearWindowisanexampleofanapproachthatworkedbrilliantly.Withtheexceptionofafewcrucialshotsduringtheclimax,everysceneinthemovieispresentedfromwithinJefferies'apartment.Thecamerastayswithhim,trappedwithintheconfinesofhisroom,neverventuringoutside,evenwhenLisagoesonherfact-findingmission.Eventsthatoccuroutsideofthewindow'sviewhappenoff-screen.TheonlytimeacharacterbecomesrealiswhentheyappearinawindowfacingJefferies'buildingorwhentheyentertheroomwithhim.詹姆斯·斯图尔特JamesStewart.....L.B.Jefferies格蕾丝·凯利GraceKelly.....LisaCarolFremontJamesStewartJamesStewart(1908-19997)wasanAmericanactor.HereceivedanOscarforhisperformanceintheThePhiladelphiaStory.Heappearedinallkindsofmovies:funnyones,sadonesandmusicalones.HewasasymbolofAmericanculture.HewasalreadyanestablishedandsuccessfulactorwhenWorldWarTwostartedinEurope.Afterthewar,hereturnedtoHollywood.In1980,hewashonoredbytheAmericanFilmInstitutewithanawardforhislifetimework.Threeyearslater,hereceivedaKennedyCenterHonor.In1985,hereceivedthePresidentialMedalofFreedom.GracePatriciaKellyGracePatriciaKellywasanAmericanactressandPrincessconsortofMonaco.InApril1956KellymarriedRainierIII,PrinceofMonaco,andbecamestyledasHerSereneHighnessThePrincessofMonaco,andwascommonlyreferredtoasPrincessGrace.上流社会HighSociety(1956)天鹅公主Swan,The(1956)电话情杀案DialMforMurder(1954)后窗RearWindow(1954)TheHeroTheheroisafreephotographerbynature.Hetakesinterestinthedepthofeverythingandacrosstheoceantocompletethemostunrestthingwhichwouldmakehissoulfeelpeaceful.Hiscareerishiscause.Asforhismarriage,hegetsakindofsinkingfeeling.Inhisopinion,abeautifulandgentlewifemaycreateaquietlifeforhim.Butaquitelifelikethatwouldruinhishabits,hisdreams,hispursuit,andhislifeatlast.Thisisthehero’sownprivacy.Beforetheaudiencefacethevoyeur,theyhavealreadyunderstandhisprivacy,andunderstandotherpeople'sprivac