Huangmei-Opera

HuangmeiOperaWanghong•TheoriginofHuangmeiOpera•ThedevelopmentofHuangmeiOpera•It'srepresentativepersonages•It'srepresentativeworks•BeautyappreciationOrigin•HuangmeiOpera,formerlyknownasHuangmei,TeaPickingOpera,evolvedinHuangmeiteapickingsonginAnhui,Hubei,Jiangxiprovincesadjacenttotheareaonthebasisoffolksongsanddances.OneofthemeastwardtoAnqingareawiththecenterofHuaining,withthelocalvoicesinging,thisisthepredecessorofHuangmeiopera.•黄梅戏，旧称“黄梅调”、采茶戏，是在皖、鄂、赣三省毗邻地区以黄梅采茶调为主的民间歌舞基础上发展而成。其中一支东移到以安徽怀宁为中心的安庆地区，用当地语音歌唱,这就是今日黄梅戏的前身。一百多年以前每逢黄梅季节，常常洪水成灾，四乡农民为了祈求丰年，就在这个时候举办迎神赛会，会上出现各种歌舞演唱，在这种歌舞演唱形式的基础上产生的一种戏曲形式，因与黄梅季节有关，故名曰‘黄梅调’,黄梅戏用安庆语言念唱，唱腔淳朴流畅，以明快抒情见长，具有丰富的表现力；黄梅戏的表演质朴细致，以真实活泼著称。黄梅戏来自于民间，她以浓郁的生活气息和清新的乡土风味感染观众。AhundredyearsagoduringtheHuangmeiseason,oftenflooddisaster,thefarmersprayedforagoodharvest,heldanidolatrousprocession.Atthistime,willappearvariousdanceconcert,adramaformbasedonthisformofsonganddanceconcert,andfortheseasonofHuangmei,soitiscalled'Huangmei',HuangmeioperawassongwithAnqinglocallanguage,singingandsmooth,withacrispandlyric,hasrichexpressiveforce;theHuangmeiOperaperformancesandmeticulous,knownasrealandlively.HuangmeiOperawasfromthefolk,shewasinfectedwiththeaudiencebytherichflavoroflifeandfreshlocalflavor.Development•Thefirststage:fromthelateofQianlongtoXinhairevolution.•Thereareonlyperformers,butnocompany.Everyonecansingatanytimeanywhere.Itmainlyaccuredruralareas.•第一阶段：约从乾隆末期到辛亥革命•只有表演者，没有表演团体。大家即兴表演，喜欢唱的人会脱口而出，没有任何组织性，主要出现在农村地区。Development•Thesecondstage:from1949toXinHairevolution.•HuangmeiOperaperformancesweregraduallyoccupa,andfromtheruraltothestageofcity.Music,wasmoreeasiertounderstandthecontents.Theperformanceaspect,enrichthemeansofexpression.Others,suchasclothing,makeupandthestage,alsomoredeveloped.•第二阶段：是从辛亥革命到1949年。•黄梅戏演出活动渐渐职业化，并从农村草台走上了城市舞台。音乐方面，观众更易于听懂所唱的内容。表演方面，丰富了表现手段。其它如服装、化妆和舞台设置，亦较农村草台时有所发展。Development•Thethirdstage:since1949.•thereweremanyoutstandingHuangmeiOperaartists,suchasYanFengying,WangShaofang,MaLan,HanZaifenandsoon.•第三阶段：是1949至今。•这一时期出现了很多著名的黄梅戏艺术家，如严凤英、王少舫、马兰、韩再芬等。其中严凤英、王少舫合演的《天仙配》，曾二度摄制成影片，轰动海内外。popularinruralareasseasonalgroupsappearedblossomedYanFengying,Huangmeioperaperformingartist,shebegantolearntosingthetuneofHuangmeiwhenshewasten,whichwasnot,thenfollowedbyYanYungao,namedwithFengYing.In1954,becauseoftheactoroftheseventhfairyinHuangmeiOperafilmGoddessmarriage,shebecamefamousnationwide.DuringtheCulturalRevolution,shewaspersecutedtodie.严凤英，黄梅戏表演艺术家，十岁开始学唱黄梅调，为族人所不容，后跟随严云高学戏，取艺名凤英。在1954年因在黄梅戏电影《天仙配》中饰演七仙女而扬名全国。文革期间因迫害致死。CelebrityintroductionWangShaofang,Huangmeioperaperformingartist,wasbornin1920,diedin1986,nativeofHebei.HewasaPekingOperaactor,the,andofficiallychangedtosingHuangmeiOperauntil1950.In1953,withtheAnhuiprovinceHuangmeiOperaTroupe,hewenttoKoreatoshowsympathy,andwastransferredtoAnhuiprovinceHuangmeiOperatroupesoon.In1954,heperformedthefirstOperamovieGoddessMarriagewithYanFengying.王少舫，黄梅戏表演艺术家，生于1920年，卒于1986年，祖籍河北。他原为京剧演员,直至1950年，才正式改唱黄梅戏。1953年，随同安徽省黄梅戏剧团赴朝鲜慰问演出，归来不久，被调入安徽省黄梅戏剧团。1954年与严风英合拍第一部黄梅戏电影《天仙配》。MaLan,bornin1962,nativeofTaihuofAnhui.HermotherwasaHuangmeiOperaactor,herfatherwasastagedesigner.SheadmittedtotheAnhuiSchoolofartofHuangmeidramaclassin1975,shewasassignedtotheAnhuiHuangmeiOperatheaterafterfiveyears.Shelookedsweet,performeddelicately,hadsweetvoice.马兰，生于1962年，祖籍安徽太湖。母亲是黄梅戏演员，父亲是舞台设计。她1975年考入安徽艺术学校黄梅戏班，五年后分配到安徽省黄梅戏剧院.马兰扮相甜俊，表演细腻，嗓音甜美。擅演剧目：《女驸马》、《天仙配》、《龙女》、《风尘女画家》、《遥指杏花村》、《无事生非》、《西厢记》、《劈棺惊梦》、《红楼梦》、《梁祝》等。HanZaifen,wasbornin1968,nativeofQianShanofAnhui.In1980shewentintotheHuangmeiOperaTroupofAnqingarea,sheperformedaftertwoyears.HanZaifen'sperformanceisofgreatingenuity:looksprettysmooth,performeddelicately,clearlyandsweetly.韩再芬，安徽省安庆市黄梅戏二团主要演员，出生于1968年，祖籍安徽潜山。1980年进入安庆地区黄梅戏剧团学员队学艺，两年后便登台。韩再芬的表演具有大家风范：扮相俏丽，噪音圆润，表演细腻,清亮悦耳。所演剧目：《女驸马》、《天仙配》、《杨贵妃》、《西施》、《徽州女人》等。HuangmeiOperarepresentative吴亚玲杨俊袁枚马兰吴琼RepresentativeworksThehero,DongYongsoldhisbodytoburyhisfather,andbecameaslaveinafamilyofaministrycouncillor.TheseventhfemaleofJadeEmperorhadsympathyforhisexperience,camedowntotheearthsecretly,andmarriedwithhim.TheSeventhfairyweaved10brocadesonenight,tohelpDongYongchangedthefarmlabourerbythreeyearstoonehundreddays.Ontheexpiration,theJadeEmperorforcedtheseventhfairytoreyurntoheaven.Thecouplewereforcedtoseparate.描写董永卖身葬父，在傅员外家为奴。玉帝第七女同情董永遭遇，私自下凡，与董永结为夫妇。七仙女一夜织锦10匹，帮助董永改三年长工为百日。百日期满，玉帝逼迫七仙女返回天庭，董永夫妻忍痛分别。剧本剔除董永与七仙女的离合系由天定的宿命论思想，加强了这部神话剧反封建的现实意义。女驸马ThegirlFengSuzhenandyoungLiZhaotingwereengagedtomarrywhentheywereyoung.WhileLi'sfamilydeclied.Feng'sstepmotherforcedhimtobreakofftheengagement.ButFenglovedZhaoyanandmetinthegarden,gavehimmoney,Alsodonatedajadekylintodeliverremainingloyalfover.ButWangarrived,framedZhaotingtosteal,sendhimtothejail.andforcedFengtomarrywithother.Fengdidn'tagree.SheactedaboytoseekforherbrotherShaoYing,butshedidn'tfind.oneday,shesawaexaminationpastedbytheemperor,thenshepretendtothenameofLiZhaotingtojointheexamandgotthefirst.Theemperorrecruitedforemperor'sson-in-law.ZhangShaomincametovisitthenewchampion,thenFengknewhewasherbrotherFengShaoying.Theywerew