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CulturaldifferencesbetweenChineseandwesternclothingTips•Laystressonthewomen’sdresses“主题以女性裙装为主”•Laystressonthenobleclothing“贵族服饰为主”•Thepicturesareonlysimilarinformorappearance.“影视图片仅仅取其形似为主”•Westernclothing:TheRococoPeriod“西方服饰选取18世纪洛可可时期为代表”1.Structureanddesign2.Color3.PatternandornamentsStructureandmodeling•Planedesign(平面设计)•Lengthways(纵向扩张)•LooseH-type(宽松的H形)•Covering(覆盖)•Semi-stereoscopic(半立体设计)•Transverse(横向扩张)•Tight-fittingX-type(紧身的X形)•Revealing(显露)ChinaEuropeStructureandmodeling•Planedesign(平面设计)•Lengthways(纵向扩张)•LooseH-type(宽松的H形)•Covering(覆盖)•Semi-stereoscopic(半立体设计)•Transverse(横向扩张)•Tight-fittingX-type(紧身的X形)•Revealing(显露)ChinaEurope1.Structureanddesign2.Color3.PatternandornamentsprincipalcolorsYellowBlueWhiteRedBlack金木水火土黄青白红黑正色Secondarycolors间色WhiteWhitesymbolizespurityandjustice.PurplePurplemeansnobility(高贵).Blue(thereligiouscolor)Blueisconsideredasthecolorforthespiritandintelligence.1.Structureanddesign2.Color3.Patternandornaments(图案与配饰)1Cirrus(藤草,庭院花草)2Jewelrylikepearlsanddiamonds(珍珠宝石)3Thehatandgloves(帽子手套)4Thepalacefan(宫廷扇子)1Dragon,phoenix,peony(龙凤牡丹等花样)2Goldvesselandjade(金器美玉)3Headwear(头饰)4Handkerchief(手绢)1Geographicalenvironment2Thehistoricalreason3TheculturalreasonIntheMediterraneanregion地中海地区Marinecivilization海洋文明Peoplewanttoexploretheoceantofindmoreresources.People’scharacter:open,activeandthecuriosityoftheoutsideworldConsequently,intermsofclothingstyle,itbecomesopen,revealingandvaried.TheChinesegeographicalenvironmentisclosedMainlandcivilization内陆文明Chinaitselfhasvastterritoryandabundantnaturalresources,Itisnotnecessarytogoout.(地大物博)People’scharacter:introvertedpersonality(内敛}Thegarmentisimplicit(含蓄)anddoesnotappear,thehumanbodyishiddeninclothing.•Industrialrevolutionandtextileindustry工业革命和纺织业发展•Thebourgeoiscultureandart资产阶级文化艺术•Mrs.PompidouQueenMarry•Averticaldevelopmentofvariousdynasties垂直延续的朝代更替•Feudalism封建主义•Hanclothingandculture’sdominantposition汉文化的主导地位●TheChinesebelievedthatpeopleandclothing,manandnature,clothingandnaturalrelationshipisharmonious,withoutconflict.Clothingdoesnotbindorharmthebody.Itpursuesnaturallytocoverhumanbodyintheclothing,nottoshowoffforthepurposeofself-publicity,notwanttoonlyperformindividuality.人与服装与自然和谐无冲突,服装不束缚伤害身体,体现中国女性宽容,自然●Westernerstakethemselvesasmastersoftheworldandtheruleroftheworld.Theyareself-centered,makeeveryefforttotapintothepowerofpeople,releasehumanpotential,advocatehardcompetitionandmakedesiresexpand.Theystronglyexpressindividualityindressandemphasizethebeautyoftheexaggeratedhumanbody.以自我为中心,强烈表达个性的穿着和强调夸张的人体美•儒学复兴乃至传统文化复兴,是多方面、多角度、多层次的,而且是长期的过程,服饰礼仪的复兴也只是其中的一部分。华夏复兴,少不了传统文化的复兴;传统文化的复兴,不可能没有承载它的形式。儒学、《论语》可以是载体,汉服也可以是载体。•穿上汉服,拜孔夫子,诵读《论语》选段,这是优秀传统文化的回归的一种尝试。汉服作为优秀传统文化也理应受到更多的重视,只希望它能在中断两百多年以后还能再度被我们大家唤醒,不再让它深藏于历史而能活跃于今朝,成为直观的传统文化标志之一!•Nowadays,itisnecessaryforustoabsorbthewesternadvancedtechnology.•Atthesametime,itisveryimportantforustotreasureourowncivilizationoffivethousandyears.•Itissignificanttopromoteanddevelopouruniquecostumeculture.•WeareconfidentandmakecontributionstorealizingtherejuvenationofourChinesenationandenrichingtheclothingcultureofthewholeworld.
本文标题:中外服饰文化差异
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