《蝴蝶梦》中女性解放和女性救赎的对比分析

湖南第一师范学院毕业论文(设计)题目(中文)《蝴蝶梦》中女性解放和女性救赎的对比分析（英文）AContrastiveAnalysisofFemaleConsciousnessinRebecca学生姓名阳红娟学号09404040535指导教师康响英系（部）外语系专业班级09级英语5班完成时间2013年5月AContrastiveAnalysisofFemaleConsciousnessinRebeccaByYANGHongjuanAThesisSubmittedinPartialFulfillmentoftheRequirementsfortheDegreeofBACHELOROFARTSDepartmentofForeignLanguage,HUNANFIRSTNORMALUNIVERSITYMay,2013毕业论文(设计)作者声明1．本人提交的毕业论文(设计)是本人在指导教师指导下独立进行研究取得的成果。除文中特别加以标注的地方外，本文不包含其他人或其它机构已经发表或撰写过的成果。对本文研究做出重要贡献的个人与集体均已在文中明确标明。2．本人完全了解湖南第一师范学院有关保留、使用学位论文的规定，同意学院保留并向国家有关部门或机构送交本文的复印件和电子版，允许本文被查阅、借阅或编入有关数据库进行检索。同意湖南第一师范学院可以采用影印、打印或扫描等复制手段保存和汇编本文，可以用不同方式在不同媒体上发表、传播本文的全部或部分内容。3．湖南第一师范学院在组织专家对毕业论文(设计)进行复审时，如发现本文抄袭，一切后果均由本人承担，与学院和毕业论文指导教师无关。作者签名：日期:年月日I摘要《蝴蝶梦》（Rebecca,1938）是英国女作家达夫妮·杜穆里埃(1907一1989)最具代表性的小说。随着妇女运动和女权主义的发展，这部作品得到越来越广泛的关注，对两位女主人公吕蓓卡和作为叙述者的“我”也有很多的争议。由于吕蓓卡生活糜烂、放荡，以极端的方式来宣誓自己的“胜利”，许多学者把吕蓓卡作为“坏女人”来研究；而把顺从、温柔的“我”作为传统父权制社会的女人的代表，他们没有全面的认识到，吕蓓卡和“我”都是“新女性”，她们只是用完全不同的方式来表达自己的愤怒，来挣脱男性的压迫，最终实现独立。鉴于上述研究现状，本论文将研究视角延伸到小说的叙述者和吕蓓卡，并且将吕蓓卡与“我”作为女性的两个方面进行对比研究，探讨女性通过极端的方式和通过理智的方式反抗男性的表现,及其不同的社会意义。从对比中发现了一个新的女权主义观念：女性用极端的方式反抗男性带来的只有自我毁灭，而用一种理智和智慧的方式，才能让自己在精神上得到解放，同时在一定程度上救赎男性。本论文将《蝴蝶梦》进行重新审视，具有明显的创新性，这将丰富和深化对这部小说的研究。关键词：《蝴蝶梦》；对比；女性解放；女性救赎IIAbstractRebeccaisthemasterpieceofDaphneDuMaurier(1907一1989).Therearecontroversiesaboutthetwocharacters，Rebeccaandthenarrator“I”,amongscholars.Rebeccaisdescribedasabadwoman，becauseshelivesaslutty，deterioratinglifeanddeclaimsherselfasawinnerinaradicalway.However，thenarrator“I”isregardedasatraditional，submissiveandnaivewomaninthemale-centeredsociety.TheyallneglectanimportantpointthatbothRebeccaandthenarratorarethenewwomenwhochoosedifferentwaystofightagainstmen.Inviewoftheabove-mentionedresearch，thisthesisistocontrasthowRebeccaandthenarratorrebelagainstthemaleandwhatdifferentsocialsignificancethetwowaysachieve.So,thisresearchisofgreatacademicandsocialsignificance.Thisthesisattemptstoemphasizethecontrastoffemaleconsciousness,fromwhichanewideaisdetected.Women,choosingaradicalwaytofightagainstthepatriarchalsociety,resultinself-destruction.However，women,choosingawiseandpeacefulway,notonlycantheyliberatethemselves，butalsosavemaletosomedegree.KeyWords：Rebecca;contrast;femaleliberation;femalesalvationCONTENTS摘要............................................................................................................IAbstract....................................................................................................IIChapter1Introduction............................................................................1Chapter2Feminism..................................................................................3Chapter3ContrastofFemaleConsciousnessinRebecca.....................53.1FeminisminRebecca.....................................................................53.2ContrastiveAnalysisofFemaleConsciousness............................63.2.1ContrastbetweenRebeccaandtheNarrator“I”....................63.2.2ContrastbetweenMrs.DanversandJasper............................8Chapter4ContrastofFemaleasLiberatorandSavior......................114.1MarriageofRebeccaand“I”........................................................114.2FemaleasLiberatororasSavior..................................................13Chapter5TheContrastofSocialSignificanceofDifferentFemaleConsciousness........................................................................155.1ElevationofWomen’sSocialStatus.............................................155.2SalvationofMen..........................................................................17Chapter6Conclusion.............................................................................19Bibliography............................................................................................21Acknowledgements.................................................................................23B.A.ThesisHunanFirstNormalUniversity1Chapter1IntroductionDaphneDuMaurier（1907—1989）wasanEnglishauthor.Shedetestedextravagantlifeandpaidmuchattentiontotherelationshipbetweenthemaleandthefemale.Rebecca，oneofDaphneDuMaurier’smasterpieces,arousedbillionsofreaderssinceitsfirstpublicationin1938.Butmeantime,variouscontroversiesfollowed.Manypeople,includingscholarsregardRebeccaasasuperficialromanticnovelbecauseoftheCinderellamarriagebetweenMaximandthenarrator“I”.Itisalsocalledgothicnovelfordescribingmanyscaringscenes,suchasthehorriblestudyroom,thedeadRebecca’sbedroomandthelike.Personsdescribedalsofoilstheatmosphereofterror，themostimpressedoneisMrs.Danvers,whoismadtobehonesttoherdeadhostessRebeccabykeepingallthingsinManderleyasthesameandevenmenacingthenarrator“I”.ScholarsabroadmainlyanalyzeRebeccafromtheperspectiveofgothic，andfocusonthecharactersandidentityofRebecca.However，onlysomearticlesandtreatieshavebeenpublished，andfewmonographscanbefound.InChina,withthedevelopmentofwomen’sliberationandthepopularityoffeminism，moreandmoreattentionisbeingpaid.Scholarsarealsoexploringthisworkfromtheperspectiveoffeminism，theyadmitthatRebeccaisanewwomanwhostrugglesforlib