学士论文《浅析新海诚动画电影的风格特色-——以其三部动画长片为例》

二○一六届毕业论文浅析新海诚动画电影的风格特色——以其三部动画长片为例学院：文学艺术与传播学院专业：汉语言文学姓名：王彤彤学号：201233060113指导教师：桦桢完成时间：2016年6月二〇一六年六月浅析新海诚动画电影的风格特色第1页共28页摘要谈及动画电影，西方有一个美国，而东方有一个日本。日本与我国地理位置接近、历史传统相近，研究其动画电影对我国动画电影的发展突破无疑具有较大意义。受字数限制，本文仅选取目前日本动画电影界极具个人风格及代表性的一位知名导演——新海诚的三部电影长片作为主研究对象，主要采用历史比较法、综合分析法及归纳演绎法等研究方法，从不同角度对这三部影片作全面分析，并试图简单梳理新海诚导演的创作风格。本文一、二、三、四章总体采用从一般到个别的演绎法，第一章梳理日本动画电影的总体风格，并对日本文化背景、新海诚的个人背景作简单介绍；之后第二、三、四章分别从艺术特色、主题思想和情感表达这三个方面对三部影片作具体剖析，并和日本其他动画电影进行对比，在比较中分析新海诚的独特风格，同时富有创新性地结合新海诚本人所创作的同名小说，挖掘影片中体现的文学性；第五章和结语采用从个别到一般的归纳法，前者归纳新海诚影片中存在的不足之处，后者梳理并总结全篇，得出新海诚动画电影的基本风格是画面逼真精致，情节简单缓慢，情感细腻含蓄，常常反映爱情和成长中的孤独、迷惘和痛苦，富有诗意性和哲理性。关键词：新海诚动画电影艺术特色主题思想情感表达ABSTRACTWhenitcomestotheanimatedfilm,AmericaistotheWestwhatJapanistotheEast.Infact,JapanandChinasharesimilargeographicalpositionandsimilarhistoricaltraditionwhichmeansstudyingitsanimatedfilmswillbeundoubtedlyofgreatsignificancetoChina’sanimatedfilmdevelopment.Limitedbywords,thepaperonlyselectsMakotoShinkai'sthreefeatureanimatedfilmsasthemainobjectofstudy.MakotoShinkaiisanewstarinthecurrentJapaneseanimatedfilmindustrywithhighlypersonalstyleandrepresentativeness.Thepapermainlyuseshistoricalcomparativemethod,comprehensiveanalysisandinductiondeductionandotherresearchmethods,tryingtogiveacomprehensiveanalysisofthethreefilmsfromdifferentaspects,andtryingtosimplelysortoutMakoto'spersonalstyle.浅析新海诚动画电影的风格特色第2页共28页Thefirstfourchaptersgenerallyusethedeductivereasoningwhichisfromthegeneraltotheindividual.ThefirstchaptersummarizestheoverallstyleofJapaneseanimatedfilmandbrieflyintroducesJapanesehistureandcultureandShinkai’spersonalbackground;Theaftersecond,thirdandfourthchaptersthoroughlydiscussedtheartisticcharacteristics,themesandemotionalexpressionsofthethreefilmsrespectively,andalsomakebriefcomparisonbetweenthethreeandotherJapaneseanimatedfilmssoastoanalyzeShinkai’suniquestyle.Besides,throughthediscussion,theauthortrytoexploretheliterarymeaningsbehindthesethreefilmsbasedonMakoto’snovelswiththesamename,whichisaninnovation.Thefifthchapterandtheconclusionusetheinductionthatfromtheindividualtothegeneraltostudy.ThefifthchaptermainlyanalyzesthedeficienciesinShinkai’sfilms,whiletheconclusionwsummarizesthewholepaper,drawingoutthatthebasicstyleofShinkai’sanimatedfilmsarevividanddelicatescenes,simpleandslowplots,subtleanddelicateemotions,andoftenreflectingloneliness,confusionandpainingrowingupandrelationships,fullofpoetryandphilosophy.KEYWORDSMakotoShinkaianimatedfilmsartisticcharacteristicsthemesemotionalexpressions浅析新海诚动画电影的风格特色第3页共28页目录前言..................................................................................................................................................4第一章新海诚与日本动画电影.....................................................................................................51.1日本动画电影的文化艺术特性.....................................................................................51.1.1客观真实与合理想象...........................................................................................51.1.2情感细腻...............................................................................................................61.1.3物哀美学...............................................................................................................71.2新海诚的个人背景和创作历程.....................................................................................9第二章新海诚三部代表作的艺术特色.......................................................................................102.1诗意的美感...................................................................................................................102.1.1意象与意境.........................................................................................................102.1.2光影与音乐之美.................................................................................................122.2场景逼真、细节精致...................................................................................................14第三章新海诚三部代表作的主题思想.......................................................................................163.1无果的爱情...................................................................................................................163.2孤独的成长...................................................................................................................173.3生与死...........................................................................................................................18第四章新海诚三部代表作的情感表达.......................................................................................194.1独白与交叉独白...........................................................................................................194.2从压抑含蓄到喷薄爆发...............................................................................................21第五章新海诚动画电影的不足之处...................................................................................225.1情节简单，叙事单薄...................................................................................................225.2人物形象类型化.............................................................................................