何谓非物质文化遗产的价值

©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.[](1963%),,,,(,1360073)[](1963-),,,,(,200444)[],,,,,,,,,[]G112A1674-0890(2009)02-106-05??,?,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,(hybridity),,,,,,,601©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(seed),,,,,,,,,,,,,,,,(exoticism),,,,,,,,,,,,2003701©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(ConventionfortheSafeguardingoftheIntangi2bleCulturalHeritage),,(Safeguard2ing),:,(),,(promotion)(enhancement)(revitalization),,,,,,,200,1978,,,(),,LivingFolklore(),,,,,75100(200936,10000=702),,,30000,511,,50006000,,,6000,,,,,,,,,,,,,,,:,,,,,,,801::,:1980,167MarthaC.Sims,MartineStephens.LivingFolklore:AnIntroductiontotheStudyofPeopleandTheirTradition.UtahStateUniversityPress;Logan,Utah.2005.©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(),,,2004200410231756,,6.8,68(2007823)4805103(1026)16,,,,,,,,,,,,,,,,,,,,,901©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.()20055,,620066,,,,,,NPO,,(nestedsystem),,,,,,,,,,,:,,,,,,,,,,,,NPO,,,:,%%,,,,,,(adaptivemanagement),,(30)011(nestedsystem),(Co-manage2ment)(Co-management),(),,:NPO,,,,,:,(),:2007,166-177©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.:,,,,,,,?,?,,,,,,?,,,?,,,,,,,;,,!,:,,,,,???,,,,,,,,,,[](110),,,,,[]03©1994-2009ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.()sversions,carriedtoJapan,iscountedthefirst,andthesecondareNineDramasofHongXueLou(),TheStoryofTheLute(),PeonyPavilion(),TenDramasofLiWeng(),andsoon,andexhibitsthatinwhatdegreetheJapaneseacceptChinesedrama.Moreover,in1782(theforty-seventhyearofEmpireQianglong),therehadbeenarecordofShenYinJianGuLu()inJapan,whichtestifiesthisbookwasoriginallycarvedinlateEmpireQiangLongtime,howeverthepopularWangJishanversionwasfinishedbytherepairandre-printaccordingtotheoldversionofEmpireDaoGuangtime.WhatstheValueofIntangibleCulturalHeritageSUGAYutaka106Peoplehavebeguntofindthehistorical,national,andunusualvaluesofintangibleculturalheritage.Ascomparedwithothercul2turalphenomenon,however,thereislimitedstrongevidenceontheorizingthespecialvalueofintangibleculturalheritage.Althoughitisratherdifficulttofindoutitsfontalvalue,itdoesnotmeanthatintangibleculturalheritagehasnovalue.Tounderstandthevalueofintangibleculturalheritage,wecannotonlystudyontheheritageitselfasindicatedbythecurrentculturalpolicies.Rather,wemayexploreitsnewvaluesfromstudyingtherelationshipbetweentheindividualswhoinvolveininheritingtheintangibleculturalheritageandthatintangibleculturalheritage.Tostandforhumanswell-being,itisnecessaryforustomakeuseofintangibleheritageef2fectively,thatisfromnowon,toreconsidertheactivitiesandworkforprotectingintangibleheritage.CulturalHeritageandEndangeredOperaInanAlternateViewLiuXiaoming141AsatheoreticalstudyontheendangeredoperaofLingnanRegion,thispaperrespectivelyexploresculturalheritageandendangeredoperawithanalternateview.Withtheframeworkofculturalheritage,weverifythehistoricalinheritance,culturalecology,operatext,performancemusic,disseminationandexchangeoftheendangeredopera,onthecontrary,accordingtotheinves2tigationofendangeredopera,wefurtherunderstandthetheoryofculturalheritage,andextendthestructuralframeworkofthepro2ject.Thesereflectiveunderstandingsincludeasfollows.Thefirstisthetimequalityofculturalheritage.Culturalheritageisnotonlytimecontinuityfromthepasttothepresent,butanexistencestartingfromthepresenttothepastandtothefuture.Thesecondistheconstructivequalityofculturalheritage.Heritageisnotonlytheremainsthatthepastgivestothepresent,butisconstructedbythepresent;heritageisnotonlyinheritedbutiscreated.Thethirdistheexistencequalityofculturalheritage.Theendan2geredthingsarenottheisolatedexistence,butanintegratedexistenceofdifference.Thus,itmaybeknownthatculturalheritageandendangeredoperapossessaqualityofalternatesubject.851