蒙古族民间美术色彩在平面设计中的应用

蒙古族民间美术色彩在平面设计中的应用TheaplicationofMongolianfolkartcolorsingraphicdesign姓名：班级：专业：指导教师：目录摘要..................................................................................................................................................3ABSTRACT......................................................................................................................................3第1章引言.....................................................................................................................................41.1研究背景.....................................................................................................................41.2研究意义.....................................................................................................................41.3研究概况.....................................................................................................................4第2章蒙古族民间美术色彩概述.................................................................................................52.1蒙古族民间美术色彩范畴.........................................................................................52.2蒙古族传统的色彩观.................................................................................................52.3蒙古族民间美术色彩的特征.....................................................................................52.3.1民族性...............................................................................................................52.3.2象征性...............................................................................................................62.3.3装饰性................................................................................................................6第3章蒙古族民间美术色彩的艺术表现.....................................................................................73.1蒙古族图案的色彩.......................................................................................................73.2召庙壁画与彩画的色彩...............................................................................................73.3蒙古包的色彩...............................................................................................................7第4章蒙古族民间美术色彩在平面设计中的应用.....................................................................84.1应用的必要性与可借鉴性.........................................................................................84.1.1、现代设计发展趋势的要求...........................................................................84.1.2、蒙古族民间美术色彩的内涵是平面设计的根本.......................................84.1.3、蒙古族民间美术色彩与现代色彩学具有相似性.........................................84.2蒙古族民间美术色彩与平面设计相结合.................................................................84.2.1与蒙古族民间美术色彩象征寓意性相结合....................................................84.2.2蒙古族民间美术色彩装饰审美性相结合.......................................................9第5章蒙古族民间美术色彩在平面设计中应用的思考...........................................................105.1应用现状...................................................................................................................105.2传承与发展...............................................................................................................10结论................................................................................................................................................11参考文献.........................................................................................................................................12摘要在现代化和全球化的时代背景下，平面设计越来越需要结合传统民族文化。因为，传统民族文化的回归己是现代平面式设计的发展趋势。蒙古族民间美术色彩是我国传统文化的重要部分，作为民间美术，它是现代艺术设计灵感的来源。本文是以传承传统民族文化为根本，宗旨在于丰富现代平面设计，利用平面设计的知识对蒙古族民间美术色彩进行相应的研究，将文化内涵和审美特征相结合，找出两者的内在联系和应用方法。通过本文的研究，实现了平面设计的创新和审美设计，并使其文化内涵更加饱满，视觉更加丰富，进而促进新的平面设计文化的产生。使蒙古族的美术色彩能够与现代设计共同发展，相辅相成，为其民族化和国际化的发展奠定了坚实的基础。关键词:蒙古族民间美术色彩，文化内涵，平面设计ABSTRACTInthebackgroundofmodernization,globalization,informationtechnology，moderndesignincreasinglyneedtobenourishedandenrichthetraditionalnationalculture,becausethepursuitofthereturnofthetraditionalnationalculturehasbecomeamoderndesign'strend.MongolianfolkartcolorsisanintegralpartoffolkcultureinChina,astheelementsofart,bothasasourceofart,andtheartsalsotobecomeasourceofinspirationinmodernartanddesign.Thisarticleisbasedontheheritageoftraditionalnationalcultureasafundamentalaimisrichmoderngraphicdesign,graphicdesignknowledgetoMongolianfolkartcolorcorrespondingtotheculturalconnotationandaestheticcharacteristics,toidentifytheintrinsiclinkbetweenthetwoandapplicationmethod.Thisstudygraphicdesigninnovativeandaestheticdesignanditsculturalconnotationfuller,richervisual,thuscontributingtothegenerationofnewgraphicdesignculture.Mongolianartcolorandmoderndesigntodevelopment,complementeachother,haslaidasolidfoundationforthedevelopmentoftheirnationalizationandinternationalization.Keywords:Mongolianfolkart,color,culture,graphicdesign第1章引言1.1研究背景目前，设计的趋势是民族化、国际化，不同的民族和国家都用现代设计来完善自己的民族。中华民族具有五千年悠久历史，各民族的民间美术是传统文化的基石，而蒙古族民间美术具有丰厚的文化内涵。它体现了蒙古民族的审美意识，饱含着民族情感。现如今，设计中对蒙古族民间文化元素的应用研究己成为设计艺术的发展趋势。1.2研究意义传统民族文化是现代设计的创意基础，蒙古族民间美术色彩在平面设计中的应用，是现代设计的发展趋势，将平面设计应用于蒙古族民间美术色彩，有利于促进平面设