互文性理论之于翻译学研究_认识论价值与方法论意义

ShanghaiJournalofTranslators2010No.3TJYW08-1-045。2010-04-20、、、、。300204。、、、、。H0A1672-9358201003-0006-06、intertextualitytheory、、、、。。1.、。·MikhalBa-khtine。·JuliaKristeva《、、》“”《》“……。”20034·MichaelRiffaterre。·RolandBar-thes“———。”ibid13。·JacquesDerrida“”différance“”dissemination“”trace。·HaroldBloom“。”1997316－17。“”“//”“//”、。。·RobertBeaugrande·WolfgangDresslerBeaugrandeandDressler1981。·6··AlbrechtNeubert·GregoryM.Shreve“、。”NeubertandShreve1992123·BasilHatim·IanMason。HatimandMason2001137。2.①②③④。、、。/。3.、、。———。、、、NeubertandShreve1992123。。、。1.、。“”、“”、“”“”、“”、“/”。。。。《》3《》383405《》1611《》、、。《》。《》、。。·7·2.。。“”“/”。。“”2007104-108。·DeMan1997313。“”ibid315-16。。“”200314。。3.、theintendedmeaning“”。。、、“”。。“、、、。”1986250－51“”。“”1997310。。。。4.、、、、、、。//。。。。“”“”“”。·1997313。·。。、、“－”。·8·。。、/。、、、、、、、、、。。。1.。。、/。。·SusanSon-tag《》“ACenturyofCinema”。Inthefirstyears①therewasessentiallynodiffer-encebetweencinemaasartandcinemaasentertain-ment.Andallfilmsofthesilentera②—fromthemas-terpieceofFeuilladeD.W.GriffitehDjigaVertocPabstMurnauKingVidortothemostformula-riddenmelodramasandcomedies—areonaveryhighartisticlevelcomparedwithmostofwhatwastofollow.Withthecomingofsound②theimage-makinglostmuchofitsbrillianceandpoetry③andcommercialstandardstightened③.Thiswayofmakingmovies—theHolly-woodsystem③—dominatedfilm-makingforabouttwen-ty-fiveyearsroughlyfrom1930to1955①.ThemostoriginaldirectorslikeErichvonStroheimandOrsonWellesweredefeatedbythesystem③andeventuallywenttoartisticexileinEurope—wheremoreorlessthesamequality-defeatingsystem③wasnowinplacewithlowerbudgetsonlyinFrancewerealargenumberofsuperbfilmsproducedthroughoutthisperiod①.intertextualchain①Inthefirstyears←→abouttwenty-fiveyearsroughlyfrom1930to1955←→throughoutthisperi-od②filmsofthesilentera←→thecomingofsound③theimage-makinglostmuchofitsbrillianceandpoetry←→commercialstandardstightened←→theHollywoodsystem←→thesystem←→thesamequality-defeatingsystem“”cohesiveties“thecomingofsound”“filmsofthesilentera”“”“thesamequality-defea-tingsystem”“theHollywoodsystem”“theimage-mak-inglostmuchofitsbrillianceandpoetry”“commercialstandardstightened”“”。cohesioncoherence、。“。”HatimandMason20011242.。、、、、、、、、、。《》·9·《》·DavidHawkes。《》《》“”。。。。“”“”《》“”“－”“”、“”。OnewasaflowerfromparadiseOneapurejadewithoutspotorstain.IfeachfortheotheronewasnotintendedThenwhyinthislifedidtheymeetagainAndyetiffatehadmeantthemforeachotherWhywastheirearthlymeetingallinvainInvainwereallhersighsandtearsInvainwereallhisanxiousfearsAllinsubstantialdoomedtopassAsmoonlightmirroredinthewaterOrflowersreflectedintheglass.HowmanytearsfromthosepooreyescouldflowWhicheveryseasonraineduponherwoe“aflowerfromparadise”“apurejadewithoutspotorstain”“ChapterI”“CrimsonPearlFlower”“MagicJade”“strangeaffair”Hawkes197352-55“”activeintertextuality。“aflowerfromparadise”《》“earthlymeeting”、“intended”“”。。“……”NeubertandShreve1992118。。、、“”“”。。。、、、、、、。/、。2008178－195·01·2010-05-11檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿檿。1BeaugrandeRobertandWolfgangDressler.Introduc-tiontoTextLinguisticsM.LongdonandNewYorkLongman1981.2HatimBasilandIanMason.DiscourseandtheTrans-latorM.ShanghaiShanghaiForeignLanguageEdu-cationPress2001.3HawkesDavidTrans..TheStoryoftheStoneAChi-neseNovelbyCaoXueqinVolumeI.LondonPen-guinBooks1973.4NeubertAlbechtandGregoryM.Shreve.TranslationasTextM.KentTheKentStateUniversityPress1992.5.J.19991.6.M.2003.7.M.2007.8.M.2008.9.M.2001.10.J..20003.11.M.1986.12.M.1997.ShanghaiJournalofTranslators2010No.3310018“”“”“”。“”“”。“”、、、。H059A1672-9358201003-0011-050。“”。“、、、”200810。“”《》、、。“”“”。。“”“”。“”“”20061。。“”“”。11999“”。“”“”199957、“·11·